How Jewish women worked their way into the field of synagogue music.
By Irene Heskes for MyJewishLearning.com
Reprinted from Jewish Women: A Comprehensive Historical Encyclopedia with permission of the author and the Jewish Women's Archive.
By the end of the nineteenth century, Jewish women in America had taken on significant roles in the rapidly developing cultural phenomenon of Yiddish American theater.
Not only were they performing as stars in a wide range of dramatic productions, but they were singing all sorts of Jewish songs, including the religious hymns and liturgical chants, and newer music of spiritual significance.
For example, Sophie Karp (1861–1906) introduced a Yiddish ballad written especially for her, "Eli, Eli" (My God, My God), with text material derived from Psalm 22 and other Jewish prayers. The song became a favorite solo of many other female performers of that day, including the renowned actor Bertha Kalich (pictured) and opera singers Sophie Braslau and Rosa-Raisa.
Continue reading.
Follow us on
page.
Shabbos
and technology: two great tastes that taste great together? The makers
of the new Shabbos App, available in February from the iTunes Store and
Google Play, want to convince you that, though it may seem
counterintuitive, their spirituality-practicality hack will allow you to
keep the Sabbath better from the comfort of your own phone.
Israeli
archaeologists recently dug up an ancient subterranean structure, parts
of which date back to Roman times, just meters from the Temple Mount,
Channel 10 reported Sunday.
If
you’re not from the region and you’re not a Near East cultural scholar,
chances are that when you think about Persian Jews, you either go all
the way back to the Book of Esther, or you think about the Jews of
Tehran and Isfahan. But there’s another vast community of Persian
speaking Jews in Central Asia and beyond: Bukharan Jews.